Gloria Steinem in aviator glasses, chin resting on her hand, in black and whiteGloria Steinem in aviator glasses, chin resting on her hand, in black and white

An Afternoon With Gloria Steinem

A conversation about freedom, change, and the many bodies we live in.

On a Monday afternoon in May, we went to Gloria Steinem's home to take photographs and talk about fashion, freedom, and the bodies we live in. What unfolded was a reminder that some of the most meaningful moments are also the most wonderfully ordinary.

There are certain people you've spent so much of your life knowing of that it's almost impossible to imagine them doing something completely ordinary.

Like having a snack on their bed.

It was May, and our crew was at Gloria Steinem's New York apartment preparing for a day of photographs and conversation. Gloria hadn't been home when we arrived.

And then, somewhere in the middle of all that activity, there she was. Sitting on her bed, having a snack. I remember thinking, Oh! There she is.

As if running into Gloria Steinem having a snack in her bedroom were an entirely normal thing to happen on a Monday.

A few months earlier, my childhood and dear friend Danielle Robay had invited me to a Talking Circle at Gloria's home. The conversation was about women's health, and I shared a little of my own experience: learning I carried a BRCA mutation, undergoing a preventative mastectomy, and navigating the surprisingly (or not surprisingly) complicated experience of having other people, often men, tell me what they thought I should do with my body.

I tried to break the ice with a joke, mostly to calm my own nerves.

I think I got a laugh or two from the back, so I'll count that as a success.

When I began thinking about who would be my dream feature for our first Weldun Voices series, I immediately thought “GLORIA!”

Weldun was born from the belief that there is no fixed body. Our bodies change through age, illness, injury, surgery, pregnancy, disability, and countless other experiences. Yet so much of the world continues to operate as though they don't.

At 92, Gloria lived through so many seasons, both personal and cultural. She had spent her life questioning the systems that tell women who they should be, how they should behave, and what choices they're entitled to make.

It felt absurdly ambitious, but when I called Danielle to tell her my “pie in the sky” idea, she immediately said, “I don’t think it’s pie in the sky at all.” Her confidence gave me just enough courage to actually ask. And to my amazement, they said yes.

When you're building something new, particularly something that asks people to think differently, there are plenty of moments when you question whether anyone else sees what you see. Having someone like Gloria lend her time and voice didn't make the hard parts disappear. But it gave me a quiet kind of confidence. A feeling of keep going!

“We should rethink categories. Each of us is a kind of unique miracle on spaceship Earth.”

— Gloria Steinem
Gloria Steinem in a black jacket and stacked silver cuffs, in black and white
Gloria wearing a Kallmeyer Long Sleeve, Another Tomorrow Jacket, Jill Platner cuffs and aviator glasses, both from her own collection. Photo by: Paola Kudacki 
Gloria Steinem's hands with silver cuffs, holding handwritten notes
Gloria wearing a Kallmeyer Long Sleeve and Jill Platner cuffs from her own collection. Photo by: Paola Kudacki 
Aviator glasses resting on a paisley-patterned book
Aviator glasses from Gloria's own collection. Photo by: Paola Kudacki

So there we were, in her apartment, trying to make good on the opportunity.

Her home was warm, layered, and full of evidence of a life lived with enormous curiosity. Books, art, photographs of Gloria with remarkable people, and objects collected over years of travel. Everywhere you looked, there was something with a story attached to it.

Before we began, I'd brought Gloria a few things.

One was a tiny vintage suitcase pillbox that I had collected as part of a vintage drop we’re preparing for and thought Gloria might appreciate it given her love of travel. The other was Nehi grape soda. I'd read somewhere that she used to drink it on road trips, and thought it might be fun to bring.

She recognized it immediately.

"It was my childhood drink," she said.

She was delighted that Nehi still existed, even if the logo had changed. The miniature suitcase got a similarly enthusiastic response, although she pointed out (quite reasonably) that you couldn't fit much in it.

"Oh, this is like Christmas," she said as we went through the things I'd brought.

Later, she amended that assessment.

"Christmas only better."

I'm not sure I've ever received a better review of my gift-giving abilities.

Among the things we showed her were products that represented the ideas behind Weldun. One was a makeup product by Guide Beauty, created by a woman living with Parkinson's disease, with packaging designed to be easier to grip.

Gloria examined how it worked, but also noticed something else: it was beautiful enough to be an art object.

I loved that observation. So much of what we're trying to do comes down to the idea that the things we need don't have to look clinical or apologetic. Function can be part of what makes something beautiful.

Later, I knelt beside Gloria's chair with three vintage canes I'd collected for the shoot.

Gloria used a cane, and I'd wanted to bring her a few options that felt personal and expressive. I held them out for her to choose.

She pointed to one.

"This one."

The brass horse head.

As we talked about clothing, Gloria described how much of her own style had emerged from a desire to stop dressing according to other people's expectations.

"Slacks and blue jeans because in my generation we were supposed to wear skirts and high heels," she explained.

Her famous glasses, she told us, had been practical, but also a kind of defense. When asked whether she'd imagined they would become such an iconic part of her image, she was matter-of-fact. "They were accidental."

"We are each a unique individual. We should rethink being categorized by anything."

Here was one of the most recognizable personal styles of the last century, and its owner hadn't set out to create an iconic look. She'd simply found ways of dressing that felt right to her.

Later, reflecting on the freedom she experienced when she stopped feeling obligated to wear certain things, she put it plainly:

"But we all ought to be able to choose."

Choice is at the heart of so many conversations about women's bodies, yet we often think about it only in the most consequential terms. Gloria understood how those questions extend into everyday life. What we wear. How we present ourselves. What we're expected to tolerate in order to be considered beautiful, appropriate, or acceptable.

At one point, I was explaining my hope that Weldun could help create a cultural shift in the way we think about bodies that change.

Gloria wanted to know how I planned to do that.

Gloria Steinem and a friend sitting together on a green velvet sofa at home
Carly Berlin, founder of Weldun, with Gloria. Carly and Gloria wearing Kallmeyer. Photo by: Paolo Kudacki
A tray of silver jewelry beside a copy of An Unexpected Life on a red blanket
Gloria's accessories. Photo by: Austin Sandhaus
An antique dresser covered with small objects beneath a lamp and a painted cabinet
Gloria's home. Photo by: Paola Kudacki

I appreciated her curiosity. She wanted to understand what we were actually trying to build, beyond the idea itself.

I spoke about storytelling. About connecting people to experiences they might not understand, or might never have considered. About making something people wanted to be part of, even when the underlying conversations were difficult.

Because I don't think you change people's perceptions simply by telling them they're wrong. You have to give them another way of seeing things. Something they recognize themselves in, or something that makes them curious enough to look again.

That's a large part of why we created Weldun Voices.

The people we feature aren't here to represent a diagnosis, an age, a disability, or a category. They're here because their lives and perspectives have something to teach us. Because the most interesting stories often begin where our assumptions end.

Gloria, of course, spent a lifetime challenging those assumptions.

But what I loved about our conversations that afternoon was that she didn't seem particularly interested in giving us perfectly polished answers.

When I asked what had helped her stay anchored in herself through changes in her body, she answered:

"The illusion that I wasn't changing."

I laughed.

And when we spoke about independence and caregiving, she reminded me of something easy to forget in a culture that places so much emphasis on self-sufficiency.

"We need each other."

We talk so much about independence as though it were the ultimate measure of dignity. But every one of us moves through moments when we need help, when our bodies ask something different of us, or when the way we've always done things no longer works.

There's nothing particularly exceptional about that. It's part of being human.

At another point, Paola Kudacki, who was photographing Gloria, asked the two of us to sit together on the sofa.

Gloria Steinem adjusting her dark aviator sunglasses, in black and white
Gloria wearing a Kallmeyer Long Sleeve, Another Tomorrow Jacket, Elsa Peretti® Collection for Tiffany & Co cuffs and aviator glasses, both from her own collection. Photo by: Paola Kudacki 
Gloria Steinem's hands resting on a walking cane, in black and white
Gloria wearing a Kallmeyer Button Down and Weldun-sourced vintage cane. Photo by: Paola Kudacki 

I should explain that I am considerably more comfortable behind the scenes of a photoshoot than participating in one.

Suddenly I had no idea how to sit, where to put my hands, or how to look natural.

Gloria, meanwhile, had had some practice…

She was funny, warm, and completely at ease. She just had a way of making the whole thing feel less serious, and before long, I felt comfortable, too. You can see it in the photographs and the footage from that day.

For all the extraordinary things Gloria accomplished, what I experienced that afternoon was a woman who was gracious, curious, funny, and generous with the people around her.

When we spoke about the expectations society places on people, Gloria returned to the idea that each of us is fundamentally unique.

"We should rethink categories," she said.

She went on to describe every individual as "a kind of unique miracle on spaceship Earth."

I love that phrase. It's wonderfully expansive, a little unexpected, and somehow both philosophical and playful.

We are so quick to organize people into categories. As though those distinctions tell us everything important about a person. They don't. And none of us remains in one category forever.

When Gloria passed away, the photographs and conversations from that afternoon took on a meaning none of us could have anticipated. I found myself returning not only to the images, but to the smaller moments surrounding them.

There is an enormous responsibility that comes with sharing someone's words and image after they pass, especially someone whose life and work meant so much to so many people. I don't pretend that one afternoon gave me a complete understanding of Gloria Steinem. It didn't. But it gave me a glimpse of the person behind the public figure, and that glimpse was a gift.

I'm deeply grateful to Gloria, to her trusted friends and colleagues Amy and Jill for their openness, and to everyone on the Weldun team who helped make that day possible.

When I think about what her participation meant to me, I return to that feeling of keep going.

Not because Gloria handed me some grand instruction or told me exactly what to do. She didn't. She asked questions, shared stories, laughed with us, and gave her time to something that was just beginning.

Sometimes that kind of generosity is enough to make you believe a little more deeply in what you're building. We went to Gloria's home hoping to create photographs and conversations that might encourage people to think differently about the bodies we live in and the choices we make. We left with all of that, and something more personal.

A reminder that curiosity matters. That humor belongs in serious conversations. That the freedom to choose how we move through the world is worth protecting. And that we owe one another a little more room to be exactly who we are.

Including, when the occasion calls for it, a woman with a brass horse head cane and a grape soda.

Gloria Steinem laughing in conversation at home, in front of a bookcase
Carly and Gloria. Underwater Weaving Studio Bag. Photo by: Austin Sandhaus
Three walking canes leaning against a white column
Weldun-sourced vintage canes. Photo by: Austin Sandhaus

Photography and Direction by: Paola Kudacki Creative and Art Directon by: Carolyne Rapp Styling by: Dianna Lunt Production by: Laurence Tooley BTS Photography: Austin Sandhaus 1st Assistant: Spencer Ostrander Digital Tech: Cat Marshall DOP: Kyrre Kristoffersen 1st AC: Emma Penrose Audio Tech: Jackson Tooley Editor: Ben Wulff Agent: Nick Bryning, Mary Goughnour

Weldun Team: Nina Farran, Ruthie Friedlander, Christina Mallon, Stephanie Ficci, Maura Horton, KR Liu, Sinéad Burke, Juliet Flynn, Patrick Herning, Stacy London, Laine Bruzek.

A special thanks to Amy Richards, Jill Heller, and Danielle Robay. 

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